Original released on LP RCA Camden CAS 10235
(GERMANY, 1969)
Of
course Sam Sklair did not invent the ‘gumboot dance’. He merely adapted the
rhythms and sounds that are typical for the original style. The origins of
‘gumboot dancing’ can be traced back to the gold mines of South Africa at the
height of the migrant labour system and during the oppressive Apartheid Pass Laws.
The original name is ‘Isicahulo’ in the Baca language. ‘Gumboot dancing’ was
performed by mine workers who worked in the Witwatersrand goldmines near
Johannesburg. At best, working in the mines was a long, hard, repetitive toil.
At worst, the men would be taken chained into the mines and shackled at their
work stations in almost total darkness. The floors of the mines were often
flooded, with poor or non-existent drainage. For the miners, hours of standing
up to their knees in infected waters brought on skin ulcers, foot problems and
consequent lost work time. The bosses discovered that providing gumboots
(Wellington boots) to the workers was cheaper than attempting to drain the
mines. This created the miners uniform, consisting of heavy black Wellington
boots, jeans, bare chest and bandannas to absorb eye-stinging sweat. The
workers were forbidden to speak, and as a result created a means of
communication, essentially their own unique form of Morse Code. By slapping
their gumboots and rattling their ankle chains, the enslaved workers sent
messages to each other in the darkness. From this came an entertainment, as the
miners evolved their percussive sounds and movements into a unique dance form
and used it to entertain each other during their free time. Gumboot dancing has
developed into a working class, South African art form with a universal appeal.
The dancers expand upon traditional steps, with the addition of contemporary
movement, music and song. Extremely physical, the dancing serves as a cathartic
release, celebrating the body as an instrument, and the richness and
complexities of South African culture.