Mostrar mensagens com a etiqueta rick wakeman. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta rick wakeman. Mostrar todas as mensagens

domingo, 15 de novembro de 2020

"Journey To The Centre Of The Earth"

Original released on LP A&M SP 3621
(US, January 1974)

"Journey to the Centre of the Earth" is one of progressive rock's crowning achievements. With the help of the London Symphony Orchestra and the English Chamber Choir, Rick Wakeman turns this classic Jules Verne tale into an exciting and suspenseful instrumental narrative. The story is told by David Hemmings in between the use of Wakeman's keyboards, especially the powerful Hammond organ and the innovative Moog synthesizer, and when coupled with the prestigious sound of the orchestra, creates the album's fairy tale-like climate. Recorded at London's Royal Festival Hall, the tale of a group of explorers who wander into the fantastic living world that exists in the Earth's core is told musically through Wakeman's synthesized theatrics and enriched by the haunting vocals of a chamber choir. Broken into four parts, the album's most riveting segment, entitled "The Battle," involves Wakeman's most furious synthesized attack, churning and swirling the keyboards into a mass instrumental hysteria. With both "The Journey" and "The Forest," it's the effective use of the strings and percussion section of the London Symphony Orchestra that causes the elements of fantasy and myth to emerge from the album's depths. The gorgeous voice of Ashley Holt is effectively prominent, and some interesting guitar work via Mike Egan arises occasionally but meritoriously amidst the keyboard fervor. The whole of "Journey to the Centre of the Earth" still stands as one of the most interesting conglomerations of orchestral and synthesized music, and it is truly one of Wakeman's most flamboyant projects. (Mike DeGagne in AllMusic)


sexta-feira, 6 de novembro de 2020

"Lisztomania" Original Soundtrack

Original released on LP A&M AMLH 64546
(UK 1975, October 20)

This record is pretty different from Rick Wakeman's usual progressive work: the songs here have almost all a different style: from classical music to floating mellotron ballads, passing by clavinet pop rock and piano solos, the repertoire is broad. Roger Daltrey's ordinary voice can be heard on the simpler songs (listen to the wonderful "Love's Dream"); there is another singer on "Excelsior song" (Paul Nicholas) that almost sounds like a crooner. The music does not sound like a movie soundtrack. There are some very good & bombastic orchestral arrangements. However some of the Wakeman's fans could be quite disappointed: the often pop compositions are not really complex: they are just slightly progressive! Wakeman claims that in 1975 A&M took his original tapes and gutted/changed them so completely that this resulting soundtrack bears no resemblance to what he'd intended it to sound like. In 2002 he and Voiceprint released "Treasure Chest Volume 1: The Real Lisztomania", which he feels is the correct version. Whether or not it's any improvement for the listener is probably debatable. (in RateYourMusic)

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