"Madeline" By PETER CINCOTTI

PETER CINCOTTI: "East Of Angel Town"

Original released on CD Warner Bros

(EU 2007, September 18)

Peter Cincotti's "East of Angel Town" is the vocalist/pianist's first album since his 2004 sophomore effort, "On the Moon". That album found the onetime neo-crooner moving from jazz standards to more contemporary pop-oriented original material. "East of Angel Town" finds Cincotti having fully made the crossover move, and fittingly the album features production by crossover Svengali David Foster as well as Humberto Gatica and Jochem van der Saag. Foster has helmed similar efforts from such genre-bending artists as vocalists Josh Groban and Michael Bublé. That said, neither of those artists has ever gone quite as far toward the pop/rock vein as Cincotti does here. Still displaying a knack for jazz and blues-inflected melodies, Cincotti nevertheless dives headlong into the rock world. Tracks such as the sharp-tongued and urbane leadoff title track, with its hard-edged guitar backgrounds and lyrics detailing the superficial lives of N.Y.C. scenesters, bring to mind the theatrical '70s singer/songwriter pop of both Rupert Holmes and Steely Dan. 

In fact, Steely Dan seem to be the biggest touchstone for Cincotti here. Which isn't to say he rips off them off - on the contrary, as the production on "Angel Town" is so thoroughly modern, you'd never mistake it for classic Steely Dan. Nonetheless, Cincotti's mix of jazz, blues, and crisply drawn singer/songwriter lyrics clearly draws much inspiration from Steely Dan and other eclectic artists of the '70s and '80s, including Elton John and Billy Joel. Keeping in that tradition, it's not just the rockers, but primarily Cincotti's ballads that really stick in your ears, with both "Lay Your Body Down (Goodbye Philadelphia)" and "Cinderella Beautiful" delivering a warm, melancholy afterglow vibe. Similarly, "Man on a Mission" is a perfect soft rock ballad. Taken as a whole, "East of Angel Town" is a somewhat sprawling and stylistically varied pop album that finds Cincotti meandering all over the creative map. However, in the world of crossover singer/songwriter pop that's actually kind of the goal, and in that sense Cincotti is right on course. (Matt Collar in AllMusic)

PETER CINCOTTI's First Album

Originla released on CD Concord CCD 2159-2

(US 2003, March 11)

Inevitably, on his debut album, Peter Cincotti is still in the phenomenon stage of his career. The wonder is that a 19-year-old can play jazz piano and sing at such a professional level, and the issue of how distinctively he does it is one largely to be tabled for the present. Even so, the charm of his work lies in its stylistic openness, which might not be expected of a jazz performer who is older. Cincotti makes no distinction between the kind of pop songs adopted for jazz interpretation in the past and more contemporary pop songs that have not been much used for such treatment. In his liner notes, he says he's always wondered what Blood, Sweat & Tears' hit "Spinning Wheel" would sound like as an instrumental played by Erroll Garner, and so he tries to do it that way, and the answer is it doesn't sound bad at all. Mixing the Beatles' "Fool on the Hill" with Nat King Cole's "Nature Boy" may not have been his idea, but it is typical of the eclectic approach he takes to music, and it works. And then there's the closing track, "Rainbow Connection," a Muppets theme that winks good-naturedly at Cincotti's youth. His originals are not particularly impressive, and the acknowledged influence of his mentor, Harry Connick, Jr., is obvious, especially vocally, but Cincotti, supported by a good rhythm section (David Finck, bass, and Kenny Washington, drums) and the tenor saxophone of Scott Kreitzer on three tracks, is a promising pianist with a good feel for ensemble playing, and that may assure him a career even after the crowds attracted by his prodigy status and publicity machine subside. (William Ruhlmann in AllMusic)

PETER CINCOTTI - "On The Moon"

Original released on CD Concord 9826136

(2004, September 14)

Vocalist/pianist Peter Cincotti burst onto the jazz scene in 2003 as an 18-year-old wunderkind much in the same way that Harry Connick, Jr. positioned himself as an updated crooner with a debut album of enjoyable if predictable standards from various decades. Interestingly, Cincotti's follow-up, this "On the Moon", finds him exploring funk and soft rock balladry. Similar to his British contemporary Jamie Cullum, Cincotti seems intent here on mixing a radio-friendly melodic pop aesthetic with his jazz chops. In fact, the title track sounds a lot like Cullum's single "All at Sea," which is not to say that Cincotti is ripping anybody off. On the contrary, while there are touches of David Gates, Barry Manilow, and even Coldplay, it is hard to pinpoint any concrete influences for Cincotti's singer/songwriter style. While original songs are the focus this time around, there is also a bevy of inspired standard tunes. To these ends, he opens the album with a funky, hip-hop-influenced take on "St. Louis Blues," gives "Bali Ha'i" a bluesy Sting-influenced vibe, and turns "Up on the Roof" into a cinematic ballad. Adding to the lush atmosphere are full string arrangements and guest spots by such sought-after New York artists as keyboardist Sam Yahel, trombonist Wycliffe Gordon, and drummer Kenny Washington. (Matt Collar in AllMusic)