Mostrar mensagens com a etiqueta 1992. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta 1992. Mostrar todas as mensagens

quarta-feira, 17 de junho de 2020

TANITA TIKARAM: "Eleven Kinds Of Loneliness"

Original released on CD Reprise 9 26835-2
(US, 1992)

Much of Tanita Tikaram's songwriting is actually about generating mood rather than dealing with lyrics that have a conclusive structure to them. While she's proven able to write complete lyrics in the past, she more often produces lyrics that are almost broken down, focusing on a mood, an image or an idea rather than developing that into a story. Musically, it's another matter, and this is where she excels. She has a knack for great musical hooks and for engaging arrangements that pull you into the music, balancing that music off against her deep, dark voice. What makes this even more intriguing is that her voice is very much the rusty folk singer type of voice - there are times when she reaches for a note and misses, and even that never stops her. But she makes it work - her songs are structured around her vocal characteristics, and she uses her voice to good effect with her songs. "Eleven Kinds of Loneliness" (which has twelve songs, indicating one isn't about loneliness) is uniformly listenable, especially if you allow the music as a whole sweep over you. Tikaram is a born cynic whose penchant is for examining elements of life and love from that cynical viewpoint; still, there's a sense of joy, if only in the music, that comes through, balancing the edge. Her talents still need some fine-tuning, but she's on her way to being a consistently solid presence in the singer/songwriter arena. (Steven McDonald in AllMusic)

terça-feira, 31 de março de 2020

"Rush" (OST)

Original released on CD Reprise 9 26794-2
(US, January 1992)

"Rush" is an excellent dark blues score written by Eric Clapton (with help on the three songs) and performed by an augmented version of his band. This soundtrack album produced one big hit for Clapton with "Tears in Heaven," but it's a wonderfully intense piece of work all the way through, with some terrific guitar work from Clapton himself. Buddy Guy turns up to add lead vocals and guitar on the 11-minute version of Willie Dixon's "Don't Know Which Way to Go," and that's more than all right too. There's a very good chance that the dark intensity of this music was as much informed by the tragedies in Clapton's life ("Tears in Heaven" is about his son) as the film itself. Whatever the cause, this album has far more impact than you might expect from the score to a movie - there's a sense of the music here working something out in Clapton's heart, a sense given a lot of power thanks to the intense, heart-wrenching passion invoked by some of the turns taken here. At its best, Clapton's music can speak of the pain he feels - and Clapton has rarely been better than he is here. (Steven McDonald in AllMusic)

quinta-feira, 5 de março de 2020

MIKEL ERENTXUN: "Naufragios"

Edição original em CD GASA 9C0497 C
(ESPAÑA, 1992/07)

Con una portada diseñada por Javier Aramburu (mucho antes de sus cotizadas creaciones para La Buena Vida o Los Planetas) se presentó en solitario Mikel Erentxun en 1992. Tras el pequeño paso atrás en críticas que supuso "Supernova" (1991) frente a la magnitud de un trabajo como "Autobiografía" (1989), Mikel y Diego decidieron tomarse un descanso para meditar el rumbo que Duncan Dhu debería seguir en lo sucesivo, tiempo que aprovecharon para reactivar sus proyectos paralelos. Eclipsadas por la enorme popularidad (y calidad) que aportaba "A Un Minuto de Ti", primer single y una de las composiciones más Duncan Dhu que Mikel ha publicado en solitario, vieron la luz estas trece canciones de desigual factura. Con soberbios temas como "No Arranques Más Flores", "Lentamente" o "Jugando Con el Tiempo" conviven piezas más tibias como "Gritar al Viento" o un "Miénteme" que finalmente no pudo (o no se atrevió a) interpretar Miguel Bosé. El sonido del disco es muy similar en esencia al de los Duncan Dhu más clásicos, con una fuerte presencia de guitarras acústicas que potencian la voz de Mikel, llegando sin embargo a ahogarla en alguno de los temas. Se aprecia, en cualquier caso, una producción menos cuidada que en ningún otro álbum del donostiarra, haciendo pasar grandes composiciones por simples temas de relleno. Sube significativamente la calificación del álbum la inclusión de dos grandes canciones, como son "A Un Minuto de Ti" y "Esta Luz Nunca Se Apagará". La primera, santo y seña de una carrera en solitario con algunos altibajos, es una de sus creaciones más conocidas y destaca por un fantástico estribillo que entronca perfectamente con la mejor tradición Duncan Dhu. "Esta Luz Nunca Se Apagará", por su parte, fue el segundo single extraído de "Naufragios" y cosechó casi el mismo éxito que el primero. Es una brillante adaptación al castellano del tema "There Is a Light That Never Goes Out", original del grupo británico The Smiths, aparecido por primera vez seis años atrás en el magistral álbum "The Queen Is Dead". Mikel nunca ha escondido su predilección por la banda y, especialmente, por la carrera en solitario de Morrissey, a la que se acercó en "Acróbatas" (1998) para adaptar "Everyday Is Like Sunday". (in RateYourMusic)

sexta-feira, 8 de novembro de 2019

Bram Stoker's Dracula (OST)

Original released on CD Columbia CK 53165
(US 1992, November 24)


"Bram Stoker's Dracula" was one of the first films ever to be released on DVD and its classic vamp story and atmosphere was coupled with love and emotion to create an excellent adaptation of a classic. The soundtrack to the film, composed by Wojciech Kilar manages to cover every aspect of the film from powerful and gargantuan themes of might to the more sinister and even aromatic music, complete with a contribution from Annie Lennox. The later closes off the album and is called "Love Song For a Vampire" and while it doesn't quite fit in I think its slight variance from the rest of the music is quite important. Certainly this will appeal to fans of conceptual orchestral soundtracks, and the inclusion of a few nice stills from the film completes the package. (in RateYourMusic)

Come into these arms again
And lay your body down
The rhythm of this trembling heart
Is beating like a drum
It beats for you, it bleeds for you
It knows not how it sounds
For it is the drum of drums
It is the song of songs
Once I had a rarest rose
That ever deigned to bloom
Cruel winter chilled the bud
And stole my flower too soon
Oh loneliness, oh hopelessness
To search the ends of time
For there is in all the world
No greater love than mine
Love, oh love, oh love
Still falls the rain (still falls the rain)
Love, oh love, oh, love
Still falls the night
Love, oh love, oh love
Be mine…

segunda-feira, 22 de fevereiro de 2016

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