Original released on LP Liberty LRP 3478 (mono); LST 7478 (stereo)
(US, 1966)
After 1959's
excellent 2Julie...at Home", a small-group West Coast session cut in her own
living room, Julie London's albums became increasingly orchestral and less
jazzy during the first half of the '60s. While many of these albums are
excellent (particularly "Around Midnight"), most weren't up to her best
recordings from the 1950s. Then, in 1965 something changed, and stripped-down
jazz backings reappeared on her albums until her notorious final disc went soft
rock with a vengeance in 1969. For this album, the West Coast arranger and bass
player Don Bagley combines an excellent jazz trio with subtle string charts
that never swamp the intimate feeling of the disc. London came to fame by
recording stripped-down sessions with just guitar and bass, so it makes sense
that on "For the Night People", an unidentified jazz guitarist gets to solo
throughout the album. A typically low-key and melancholy session, standout
tracks include a languid reading of the usually manic "Won't You Come Home
Bill Bailey" and two songs made famous by Frank Sinatra - "Saturday
Night (Is the Loneliest Night in the Week)" and "I'll Never Smile
Again." This album is a must-have for Julie London fans and thankfully she
worked with Bagley again on the more upbeat but no-less-languid "Nice Girls
Don't Stay for Breakfast", which keeps the guitar heard here, but after the
title track replaces the strings with a jazz organ and horn.


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