on LP Philips SBL 7912 (UK 1969, November 4)
The US edition appeared in early January 1970 on LP Mercury 61246 and with the title "Man Of Words Man Of Music" (new cover above). Three years later, in November 72, the album was re-issued in the States as "Space Oddity" (RCA AQL 4813, with another different cover and without the theme "Don't Sit Down").


Prior to the album a single was edited in July
1969: "Space Oddity / The Wild Eyed Boy From Freecloud" (Philips BF
1801). I brought this single home from the store one day and waited patiently
for the solitude of night to unlock its secrets. I can still remember pressing
my ear against the speaker and drinking the song’s strange magic in like some
extraterrestrial oxygen, amazed that the artist had once again cleared the
impossibly high expectations I held for him. The lyrics were about Major Tom
leaving the Earth. But in that same month, on the 20th, another man, named Neil
Armstrong, was in reality the first human to walk on the moon (I saw the direct
transmission in the company of my father, all night long).
"Space Oddity" was the first record on which
David Bowie looked and sounded like the Bowie whom the world has come to know.
One glance at the spooky, androgynous face that adorns the record was enough to
signal that the Anthony Newley-influenced, light-pop singer who sang the
novelty number "The Laughing Gnome" a few years earlier was a thing
of the past. Leaving behind the mannered, English music hall-isms of his
initial recordings, Bowie roughened up the sound, creating a ragged, eclectic
mix of folk and rock tinged with electronic sounds. The record yielded his
first American hit, and began the singer's soon-to-be meteoric rise to
international rock icon-hood.The title track, a sci-fi mini-epic, is an
enduring classic in which Bowie squeezes every bit of drama from both his dour
low range and the soaring upper reaches of his voice. Even after decades of
continued airplay, "Space Oddity" is surprising for its intricate
arrangement, nifty guitar playing, and palpable sense of interplanetary
estrangement. Other fine and lesser-known musical moments include the sublimely
subdued "Letter to Hermione", and the sprawling and strange
"Memory of a Free Festival".








3 comentários:
Collectors note: On the very first RCA pressings of this album the noise gates were a little off and you can hear the low guitar work at the beginning of Space Oddity crackle in & out. This was especially noticed on the Dynagroove issue. Do you have one of those copies?
Thank you for David Bowie!
This file has expired would appreciate a re-up
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