Mostrar mensagens com a etiqueta honeycombs. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta honeycombs. Mostrar todas as mensagens

quinta-feira, 16 de abril de 2020

The HONEYCOMBS: "All Systems Go!"

Original released on LP PYE NPL 18132
(UK, December 1965)

Despite downwardly spiraling commercial fortunes, the Honeycombs recorded a second album in 1965 that featured as many intriguing production flourishes and oddball British pop songs as their first effort. No hits were included on this LP - and be warned that the version of their minor hit single "I Can't Stop" (probably their best song) featured here is an inferior, drastically slower remake. This album also includes a mighty obscure ballad by Ray Davies, "Emptiness," that was never recorded by the Kinks (or any other artist but the Honeycombs, for that matter). It's not much of a song, but it's a find for Kinks fanatics. The record's highlights are the sparkling guitars of "Love in Tokyo" and the soulful ballad "Something I Got to Tell You" (featuring drummer Honey Lantree on vocals), which sounds like an honest-to-god hit-that-never-was. The CD reissue of the album adds eight non-LP cuts from 1965-1966 singles (and three unreleased tracks). The best of these are the tense, overwrought ballad "Should a Man Cry?". (Richie Unterberger in AllMusic)

segunda-feira, 9 de março de 2020

The HONEYCOMBS Debut Album

Original released on LP Pye NPL 18097
(UK 1964, September 25)

Most famed for their 1964 one-shot British Invasion hit "Have I the Right" and for being the first rock band of any renown to feature a female drummer, the Honeycombs recorded a surprising amount of material in the mid-'60s. Even for collectors, this definitely falls into the "guilty pleasure" category. Lead singer Dennis O'Dell's wobbly voice sounds like a speeded-up Gene Pitney, and the material, though peppy and catchy, is exceedingly trite and innocuous. The group's chief asset, actually, was producer Joe Meek, who found the band to be a perfect vehicle for his eccentric production techniques. Meek used compression to the point of squashing, and used all manners of odd vari-speed vocals, bee-stinging guitars, tinny keyboards, and echo to achieve a sound that was quite otherworldly by 1964 standards. Besides "Have I the Right," this 1964 debut LP includes the British Top 20 hit "That's the Way" (featuring drummer Honey Lantree on vocals) and the ghostly ballads "Without You It Is Night" and "This Too Shall Pass Away," though most of the rest of the material is slight. This 2020 reissue adds 14 bonus tracks from non-LP singles, including a German recording of "Have I the Right" and the manic, irresistible "I Can't Stop," which was a minor hit for the band in the U.S. (Richie Unterberger in AllMusic)
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