Mostrar mensagens com a etiqueta carpenters. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta carpenters. Mostrar todas as mensagens

quarta-feira, 2 de junho de 2021

CARPENTERS '71

Original released on LP A&M SP-3502
(US 1971, May 14)


The Carpenters' radio-friendly soft rock virtually defined the genre in the early 1970s, and this album - their third full-length - was the group's ace card. Following on the heels of the wildly successful "Close to You", "Carpenters" features more breezy melodies marked by rich arrangements and beautiful lead vocals, courtesy of siblings Richard Carpenter and Karen Carpenter, respectively. The record is most notable for two of the duo's strongest and best-loved singles. "Rainy Days and Mondays," written by soft pop gods Paul Williams and Roger Nichols, is a bittersweet pop masterpiece fleshed out by Richard's string orchestrations and smoothly produced backing vocals, while Leon Russell and Bonnie Bramlett's "Superstar," from its melancholic verse to its dramatic chorus, is equally hard to resist. (Both songs showcase Karen's sultry alto.) The rest of the album includes Richard's bubble-gum pop originals, another Williams-Nichols tune ("Let Me Be the One"), and a medley of Burt Bacharach-Hal David tunes. Even more commercially streamlined than its predecessors, "Carpenters" is a classic of early-'70s pop. (Rovi Staff in AllMusic)

quarta-feira, 25 de setembro de 2019

The CARPENTERS Best Years

With their light, airy melodies and meticulously crafted, clean arrangements that appealed to a variety of audiences, the Carpenters stood in direct contrast to the excessive, gaudy pop/rock of the '70s. Yet, they became one of the most popular artists of the decade, winning four Grammy Awards, and scoring 12 Top Ten hits, and three number one singles, including the classic "(They Long to Be) Close to You" off 1970's "Close to You". Karen Carpenter's calm, pretty voice was the most distinctive element of their music, settling in perfectly amidst the precise, lush arrangements provided by her brother Richard. Though their popularity began to fade as the '70s progressed, the duo continued to make music together until Karen's tragic death in 1983. The Carpenters formed in the late '60s in Downey, California, after their family moved from their native New Haven, Connecticut. Richard had played piano with a cocktail jazz trio in a handful of local Connecticut night clubs. Once the family had moved to California, he began to study piano while he supported Karen in a trio that featured Wes Jacobs (tuba/bass). With Jacobs and Richard forming her backup band, Karen was signed to the local California record label Magic Lamp, which released two unsuccessful singles by the singer. The trio won a Battle of the Bands contest at the Hollywood Bowl in 1966, which led to a record contract with RCA. Signing under the name the Richard Carpenter Trio, the group cut four songs that were never released. Jacobs left the band at the beginning of 1968. Following Jacobs' departure, the siblings formed Spectrum with Richard's college friend John Bettis. Spectrum fell apart by the end of the year, but the Carpenters continued performing as a duo. The pair recorded some demos at the house of Los Angeles session musician Joe Osborn; the tape was directed toward Herb Alpert, the head of A&M Records, who signed the duo to his record label in early 1969.

"Offering (Ticket to Ride)", the Carpenters' first album, was released in November 1969. Neither "Offering" nor the accompanying single, a cover of the Beatles' "Ticket to Ride," made a big impression. However, the Carpenters' fortunes changed with their second single, a version of Burt Bacharach and Hal David's "(They Long to Be) Close to You." Taken from the album "Close to You", the single became the group's first number one, spending four weeks on the top of the U.S. charts. "Close to You" became an international hit, beginning a five-year period where the duo was one of the most popular recording acts in the world. During that period, the Carpenters won two Grammy Awards, including Best New Artist of 1970, and had an impressive string of Top Ten hits, including "Rainy Days and Mondays," "Superstar," "Hurting Each Other," "Goodbye to Love," "Yesterday Once More," and "Top of the World." After 1975's number four hit "Only Yesterday," the group's popularity began to decline. For the latter half of the '70s, the duo were plagued by personal problems. Richard had become addicted to prescription drugs; in 1978, he entered a recovery clinic, kicking his habit. Karen, meanwhile, became afflicted with anorexia nervosa, a disease she suffered from for the rest of her life. On top of their health problems, the group's singles had stopped reaching the Top Ten and by 1978, they weren't even reaching the Top 40. Consequently, Karen decided to pursue a solo career, recording a solo album in 1979 with Phil Ramone; the record was never completed and she returned to the Carpenters later that year. The reunited duo released their last album of new material, "Made in America", in 1981. The album marked a commercial comeback, as "Touch Me When We're Dancing" made it to number 16 on the charts. However, Karen's health continued to decline, forcing the duo out of the spotlight. On February 4, 1983, Karen was found unconscious at her parents' home in Downey; she died in the hospital that morning from cardiac arrest, caused by her anorexia. After Karen's death, Richard Carpenter concentrated on production work and assembling various compilations of the Carpenters' recorded work. In 1987, he released a solo album called "Time", which featured guest appearances by Dusty Springfield and Dionne Warwick. More posthumous albums followed including 1989's "Lovelines", which featured unreleased Carpenters tracks next to curated solo tracks by Karen. "As Time Goes By" also arrived in Japan in 2001. In 2018, Richard oversaw the production of Carpenters with the Royal Philharmonic Orchestra. Recorded at the famed Abbey Road Studios, the album featured many of the duo's original songs reworked with added orchestration by the London-based Royal Philharmonic. (Stephen Thomas Erlewine in AllMusic)
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