domingo, 27 de março de 2016

"GLENDA - SNAKE DANCER" - OST

Original released on limited vinyl LP CBS
(South Africa, 1976)

First regular release of the soundtrack to the famous banned South African movie "Snake Dancer" from 1976 starring Glenda Kemp. A rare find with excellently produced Disco Funk, Bossa Jazz and Soft Rock, composed by Zane Cronje and Charles Segal. "Glenda" was first published in 1976 and censored immediately by the repressive SA government as a product of Western Decadence. On May 15th 2009, the soundtrack saw its first regular international release on CD and limited vinyl LP plus mp3 album (Sonorama C-/L-41). As one of the world's most repressive governments, 1970's South Africa was not a place to be artistically different. The "Snake Dancer" movie stands out as a cultural snapshot and government bashing call for personal freedom. This corresponding soundtrack album is a terrific exploitation discovery aswell. "Snake Dancer" narrates a dramatic exploration of liberty, recounting an erotic dancer's "career" against a crucial regime within a semi-biographical and half documentary script. South Africa had become a British colonial outpost, which yielded to Dutch "Afrikaans" sovereignty in the 1960s and the repressive racial segregation of Apartheid. When former teacher Glenda Kemp turned to stripping to work her way through college, uptight South African audiences were scandalized by her exotic routines and particularly by her nude python dance.

The movie tells her story and with Kemp playing herself, the film re-creates incidents from the dancer's life, including the government's efforts to ban her performances. That a young woman was able to prosper as a stripper under Apartheid, where such forms of entertainment were strictly banned, and became famous in her country, makes the story endearing despite the cheaply made screen production. The government tried to censor her, the church condemned her and her own fiancée disapproved. But Glenda dances on to her own beat. The true story of resistance is told t hrough short dialogues and authentic newspaper clippings. A supposedly devout Christian, Glenda felt there was nothing wrong with her erotic, oiled-up s nake routines. But with the regime controlled by the Calvinist Dutch Reforms Church, all films with sex and politics were heavily censored. And with furious prudes and undercover cops crashing her show, Glenda Kemp was effectively forced into an early retirement.


There are many surprisingly different sides to the soundtrack. Most of the arrangements capture the harsh glare and heat of erotic live club performances, evoking a liberated but "vulgar" atmosphere, that probably many young South Africans were longing for during the 1970s. The funk and disco inspired tracks still have the ability to rock clubs around the world today, thanks to the extraordinary ideas and studio skills of producer Zane Cronje. The score implies to the knowing listener that some sort of dancing action may be forthcoming and most of the tunes have a strangely yearning quality throughout. And there is a glorious pop appeal on some of the songs due to the vocals of a female background choir, with panoramic strings and brass attached, interrupted by afro pop, harsh psychedelic guitar riffs or afro pop drumming with heavy bass sounds, plus some lovely piano jazz and bossa nova inspired tracks inbetween.

Zane Cronje and Charles Segal employ many hip sounds from the U.S.A. or Europe in a technically perfect manner. Some of the impressionistic sound colours seem to be inspired by the big French and Italian Soundtrack works of the 60s and beginning 70s. The lilting lounge sounds serve as links between the hip shaking vocal tracks, that surround the bizarre dance routines of snake dancer Glenda during the movie. But how to come correct with an entertainment soundtrack in a country of repressive governmental institutions? The film depicts a political culture that saw nothing immoral in owning human beings and whose greatest fear was that someone might be enjoying themselves. Consequently the movie became a forbidden subject and was never shown in mainstream cinemas. But with further-reaching bans in effect, the South African underground cinemas flourished with so-called "tea rooms", that offered films, food and drink for low prices. Due to its special history of production, the rise of independently produced filmmaking and the invention of the worldwide web, "Glenda" became a unique cult movie today not only in secret tea rooms around the world.


At the time of production the movie failed to start a fire because of many reasons. Due to strict censorship within South Africa, de Villiers' film was snipped of all its nudity or sexual situations and consequently failed in his own country. The movie director had no more luck selling the film abroad, as hard-core pornography ruled the scene by mid-decade. A few promotional soundtrack LPs were pressed on CBS/ South Africa and sent out to international publishers and distributors, unfortunately without any success. An unplayed copy of the impossible to find album was recently discovered in the huge archives of a German publisher and the license owner Charles Segal gave his permission to an international (re-)release. Finally all tracks were carefully remastered from the vinyl copy in 2009 due to the complete loss of the master tapes.

The film was released in 2006 by "Mondo Macabro" but the quality of picture and sound is not perfect because the original 35 mm elements were unavailable. Nevertheless the DVD is strongly recommended, featuring an exclusive Interview with director Villiers, which covers his career in depth, including his personal thoughts on the feature and the world of film-making in general. He discusses his early films, the financial difficulty working in South Africa, and how political pressure effected the movie industry. His memories are rounded out with memories of Glenda and the very real controversy that surrounded her at the time. Former South African snake celebrity Glenda Kemp is now a teacher again, more religious than ever, living in the outskirts of Durban.

sábado, 26 de março de 2016

"HATARI" - OST

Original released on LP RCA Victor LPM/LSP 2559 RE
(US, 1962)

Coming off a double Oscar win for his "Breakfast at Tiffany"'s score, Henry Mancini produced this score for the Howard Hawks-directed, John Wayne-starring safari comedy. This is at first a fun blend of jazz and Afro-exotica, jungle drums mixed with a classic bop combo. Elsewhere, however, the soundtrack opts for some pleasant, but very Western jazz, only stopping for the African instrument-sampler "The Sounds of Hatari," which features some nice treated piano. The filmmakers were probably hoping that the Mercer and Carmichael song "Just for Tonight" would be as much a success as Tiffany's "Moon River," but if "Hatari!" is memorable for anything, it's for the incredibly goofy "Baby Elephant Walk," which has gone on to be infamous musical shorthand for kookiness of any stripe. Get this tune in your head and it sticks.

BERT KAEMPFERT - "Free and Easy"

Original released on LP Polydor 2310 045
(GERMANY, 1970)

Available for the first time on CD, this album, recorded in the spring of 1970, was Bert Kaempfert’s last production in “classical” two-track stereo before he began using the eight-track system for his recordings. Once again he and his orchestra made music which was truly “free and easy” in every way, and indeed nothing compares with Kaempfert’s music: in arranging the carefully chosen pieces for his orchestra, he always ensured that the melody remained in the foreground. In addition to the highly popular "Sweet Caroline", a top-ten hit written by Neil Diamond, Bert Kaempfert also looked back to that old jazz favorite "Gone With The Wind" from 1937, and to two world-famous film melodies: "Over The Rainbow", which was sung by Judy Garland in the 1939 film musical “The Wizard Of Oz” and which became her signature tune for the rest of her life, and "Laura" from the 1944 crime film bearing the same name, which brought the film composer David Raksin lasting fame. Two of the eight original compositions by the Bert Kaempfert/Herbert Rehbein team also originate from a film: “You Can’t Win ’Em All”, starring Tony Curtis and Charles Bronson, was an adventure film made in 1969 whose action took place in the Ottoman Empire after the First World War. With the music to this film – the majestic "Love Theme" and the action-packed "Flight To Mecca" that can be heard here –, Bert Kaempfert once again broke his resolution never to write a soundtrack again, something he had sworn after the strenuous work on the film “A Man Could Get Killed” which involved writing a melody which was later to become a hit all over the world: "Strangers In The Night".

sexta-feira, 25 de março de 2016

THE SHANGAANS: "JUNGLE DRUMS"

ORIGINAL RELEASED ON LP STUDIO2 TWO 109 
(South Africa, 1965)


Original released on LP CBS S 62-761
(França, 1967)

THE BRASS RING SECOND ALBUM

Original released on LP Dunhill DS 50012
(US, September 1966)

Less than four months after releasing the Brass Ring's debut album, "Love Theme from the Flight of the Phoenix" (1966), Phil Bodner's New York-based instrumental ensemble issued their follow-up, this "Lara's Theme". As their first long player merely bubbled beneath the Top 100, the question as to why they were so eager to issue a second volume can be traced back to Dunhill Records' desire to create a catalog of product as efficiently as possible. As was the occasional custom of the day, producers chose to recycle the title track from "Lara's Theme" directly off of their first LP - not even going so far as to re-record it. Unlike anything that was attempted on their previous effort, Bodner and company make an initial venture into the concurrent pop charts for inspiration. Not surprisingly, the Mamas & the Papas' - who just happened to also be on Dunhill Records - Top Five smash "California Dreamin'" is among the project's hipper entries. Similarly, Pete Seeger's translation of "Guantanamera" would have been another melody familiar to listeners as the Sandpipers had a hit with it just a few months earlier. The sassy interpretation of Pérez Prado's "Patricia" and the Dick Hyman-penned "Uncle Jose" lean heavily on the Brass Ring's West Coast contemporaries, the Herb Alpert-led Tijuana Brass. The style has an obvious effect on Bodner's own "Bahama Shuffle," which also recalls the bandleaders days as a mainstay in Enoch Light's late-'50s Provocative Percussion-era recordings. In 2007, Collectors' Choice Music compiled "Lara's Theme" with its long-playing predecessor "Love Theme from the Flight of the Phoenix" onto a single compact disc.

quinta-feira, 24 de março de 2016

"Let's Get Away From It All"

Original released on LP Mercury MG 20387 (mono)
(US, 1958)

Patti Page takes a musical tour of the world on "Let's Get Away From It All", a thematic album on which "the Singing Rage" travels via song to Mexico, France, Italy, Ireland, and several spots in the United States. The title song should have led the track list but doesn't - the songs appear in no particular order, with Page meandering aimlessly from Mississippi to Mexico to New Orleans to Paris. The bright big-band orchestration sweeps her along from "Autumn in Rome" to "Route 66" to "April in Paris" before Page finally declares that "The Whole World Is Singing My Song." Seasons pass and huge tracts of geography are traversed, but oddly, the scenery never seems to change. The musical selections are mostly pop and jazz standards all presented in the same swinging fashion, with Page crooning or belting it out as the moment requires. "Let's Get Away From It All" has appeared in Stereo for the first time in 1955 with 10 songs. The album presented here is the mono version from 1958 with two more songs added: "April in Paris" and "Too-Ra-Loo-Ra-Loo-Ra (That's an Irish Lullaby)".

PERCY FAITH - "Romeo and Juliet"

Original released on LP Columbia CS 9906
(US, 1969)

quarta-feira, 23 de março de 2016

WORLD OF HITS

Original released on LP Columbia CS 9300 
(US, 1966)

666

Original released on Double LP Vertigo 6333 500/501
(UK, 1971)

What a strange and bizarre cult album.  When first heard about it I thought it would be just a goofy prog rock album about the Book of Revelation from the Bible. Instead I got something that sounds like if Peter Gabriel era Genesis mixed with post-rock era Swans. It has the strange the theatrical approach that Genesis had. And the strange bizarre music of Swans. On this album Vangelis does keyboards, piano, flute, backing vocals, and percussion. Demis Roussos does vocals, bass, and guitar. Loukas Sideras does vocals and drums. Silver Koulouris does the guitars and percussion. Harris Halkitis does saxophones and different percussion. Michel Ripoche does more saxophones. The Greek actress Irene Papas does vocals on "∞". John Frost does the narration in English. Yannis Tsarouchis does the narration in Greek. The vocals on this album can go to be very strange like Damo Suzuki from Can to being chant like ceremonial singing. Overall "666" has some flaws but overall it is a wonderful cult rock album that I enjoy quite a lot.

THE ANIMALS UK FIRST ALBUM

Original released on LP EMI-Columbia 33SX 1669
(UK, November 1964)

The group's U.K. debut long-player, containing - in the custom of the time in England - not one of their singles up to that point, including "House of the Rising Sun." Apart from "Story of Bo Diddley" (which is, itself, heavily steeped in conventions out of Bo Diddley's repertory), everything here is a cover of traditional blues and R&B material, and a bit on the dry side, as though the band was trying too hard to prove themselves. This is one of the more serious and dour British Invasion-era albums, with none of the cheerfulness evident on the work of the Liverpool, Birmingham, or Manchester-based bands of the period - the Chuck Berry covers, in particular, seem rather joyless compared to rival versions by the Rolling Stones, et al. For adult orientation, The Animals is roughly on a par with the Rolling Stones' debut LP (though that album is also more fun). The group would do better in the future in a less stiff and intense posture, but this is a strong debut.


DISCOGRAPHY
Formed 1962, Newcastle upon Tyne, Northumberland, United Kingdom
Disbanded 1984

Eric Burdon (born 1941): vocals
Alan Price (born 1942): vocals, keyboards
Bryan ‘Chas’ Chandler (born 1938 > died 1996): bass
John Steel (born 1941): drums
Hilton Valentine (born 1943): guitar
Dave Rowberry (born 1940 > died 2003): keyboards (1965-1966)

1963-10 Ep I WANNA MAKE LOVE TO YOU (UK Graphic Sound ALO 10867): A1. I Wanna Make Love to You; A2. Big Boss Man; B1. Boom Boom Boom; B2. Pretty Thing
1964-03 Sg (UK EMI Columbia DB 7247): A. Baby, Let Me Take You Home; B. Gonna Send You Back to Walker
1964-06-19 Sg (UK EMI Columbia DB 7301): A. The House of the Rising Sun; B. Talkin’ About You
1964-09 Sg (UK EMI Columbia DB 7354): A. I’m Crying; B. Take It Easy
1964-11 Ep THE ANIMALS IS HERE (UK EMI Columbia SEG 8374): A1. The House of the Rising Sun; A2. Gonna Send You Back to Walker; B1. I’m Crying; B2. Baby, Let Me Take You Home
1964-11 LP THE ANIMALS (UK EMI Columbia 33SX 1669): A1. Story of Bo Diddley; A2. Bury My Body; A3. Dimples; A4. I’ve Been Around; A5. I’m In Love Again; A6. The Girl Can’t Help It; B1. I’m Mad Again; B2. She Said Yeh; B3. The Right Time; B4. Memphis; B5. Boom Boom; B6. Around and Around
1965-01-29 Sg (UK EMI Columbia DB 7445): A. Don’t Let Me Be Misunderstood; B. Club-A-Go-Go
1965-03 Ep THE ANIMALS Nº 1 (UK EMI Columbia SEG 8400): A1. Boom Boom; A2. Around and Around; B1. Dimples; B2. I’ve Been Around
1965-04-02 Sg (UK EMI Columbia DB 7539): A. Bring It On Home to Me; B. For Miss Caulker
1965-05 LP ANIMAL TRACKS (UK EMI Columbia 33SX 1708): A1. Mess Around; A2. How You’ve Changed; A3. Hallelujah I Love Her So; A4. I Believe to My Soul; A5. Worried Life Blues: A6. Roberta; B1. I Ain’t Got You; B2. Bright Lights Big City; B3. Let the Good Times Roll; B4. For Miss Caulker; B5. Roadrunner
1965-07 Sg (UK EMI Columbia DB 7639): A. We’ve Gotta Get Out of This Place; B. I Can’t Believe It
1965-07 Ep THE ANIMALS Nº 2 (UK EMI Columbia SEG 8439): A1. I’m In Love Again; A2. Bury My Body; B1. I’m Mad Again; B2. She Said Yeh
1965-09 Ep AMIMAL TRACKS (UK EMI Columbia SEG 8499): A1. How You’ve Changed; A2. I Believe to My Soul; B1. Let the Good Times Roll; B2. Worried Life Blues
1965-10 Ep THE ANIMALS ARE BACK (UK EMI Columbia SEG 8452): A1. Bring It On Home to Me; A2. Don’t Let Me Be Misunderstood; B1. We’ve Gotta Get Out of This Place; B2. Club-A-Go-Go
1965-10-22 Sg (UK EMI Columbia DB 7741): A. It’s My Life; B. I’m Going to Change the World
1966-02-11 Sg (UK Decca F 12332): A. Inside-Lookin’ Out; B. Outcast
1966-05 Sg (UK Decca F 12407): A. Don’t Bring Me Down; B. Cheating
1966-06 LP ANIMALISMS (UK Decca LK SKL 4797): A1. One Monkey Don’t Stop No Show; A2. Maudie; A3. Outcast; A4. Sweet Little Sixteen; A5. You’re on My Mind; A6. Clapping; B1. Gin House Blues; B2. Squeeze Her Tease Her; B3. What Am I Living For; B4. I Put a Spell on You; B5. That’s All I Am to You; B6. She’ll Return It
1975 LP THE ANIMALS WITH SONNY BOY WILLIAMSON (LIVE) (UK Charly CR 30199 ): A1. Sonny’s Slow Walk; A2. Pontiac Blues; A3. My Babe; A4. I Don’t Care No More; A5. Baby, Don’t You Worry; A6. The Night Time Is the Right Time; B1. I’m Gonna Put You Down; B2. Fattening Frogs For Snakes; B3. Nobody But You; B4. Bye-Bye, Sonny, Bye-Bye - Coda
1977-08 LP BEFORE WE WERE SO RUDELY INTERRUPTED (UK Barn 2314 104): A1. The Last Clean Shirt; A2. It’s All Over Now Baby Blue; A3. Fire on the Sun; A4. As the Crow Flies; A5. Please Send Me Someone to Love; B1. Many Rivers to Cross; B2. Just a Little Bit; B3. Riverside Country; B4. Lonely Avenue; B5. The Fool
1983-08-09 LP ARK (UK I.R.S. SP 70037): A1. Loose Change; A2. Love Is For All Times; A3. My Favourite Enemy; A4. Prisoner of the Light; A5. Being There; A6. Hard Times; B1. The Night; B2. Trying to Get You; B3. Just Can’t Get Enough; B4. Melt Down; B5. Gotta Get Back to You; B6. Crystal Nights
1984-08-10 LP RIP IT TO SHREDS: THE GREATEST HITS LIVE (UK I.R.S. IRSA 70043): A1. It’s Too Late; A2. House of the Rising Sun; A3. It’s My Life; A4. Don’t Bring Me Down; A5. Don’t Let Me Be Misunderstood; B1. I’m Crying; B2. Bring It On Home to Me; B3. O Lucky Man; B4. Boom Boom; B5. We Gotta Get Out of This Place
1996 CD THE BEST OF THE ANIMALS (Re-recorded) (UK K-tel ECD 3278): 1. The House of the Rising Sun; 2. Don’t Let Me Be Misunderstood; 3. We Gotta Get Out of This Place; 4. Frisco Queen; 5. To Love Somebody; 6. Color of the Sunset; 7. Howlin’; 8. Scandinavian Dreams; 9. San Franciscan Nights; 10. When I Was Young; 11. Love Fire; 12. Night Fighter
2015-04-18 LP WE’RE GONNA HOWL TONIGHT (Archival) (UK Rhythm and Blues 2): A1. We’re Gonna Howl Tonight; A2. Baby What’s Wrong; A3. Rosie; A4. I Can’t Believe It; A5. Work Song; A6. Gonna Send You Back to Georgia; A7. Dimples; B1. C.C. Rider; B2. Heartbreak Hotel; B3. Corina, Corina; B4. House of the Rising Sun; B5. Boom Boom; B6. Talkin’ About You     

The Most Beautiful Girl In The World

Original released on LP BBC REB 180
(UK, 1974)

PERCY FAITH: "ANGEL OF THE MORNING"

Original Released on LP Columbia CS 9706 
(US 1968)

Recorded 10th, 11th, 12th June 1968 (LA)
Producer: Jack Gold / Engineer: Jack Lattig

SEE WIKIPEDIA BIOGRAPHY HERE OR ORIGINAL DISCOGRAPHY HERE

terça-feira, 22 de março de 2016

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